Musik / romantik

Douce France : mélodies & chansons


Detaljer


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Indhold

Seneste udgave, musik (cd)

Poème de l'amour et de la mer, opus 19(piano transcription: Carrie-Ann Matheson)

Ernest Chausson

L'invitation au voyage

Henri Duparc

Extase ("Sur un lys pâle")

Henri Duparc

Phidylé

Henri Duparc

La vie antérieure

Henri Duparc

Les feuilles mortes(arr. Guy-François Leuenberger)

Joseph Kosma

Douce France(Léo Chauliac, Charles Trenet, arr. Guy-François Leuenberger)

Léo Chauliac

Quand on n'a que l'amour(arr. Guy-François Leuenberger)

Jacques Brel


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Anmeldelser (3)


Fono Forum

2024 November

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Susanne Benda

2024 November


BBC music magazine

2024 December

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Christopher Dingle

2024 December

"Benjamin Bernheim can certainly create a transformative musical moment ... demonstrated in the midst of the Stade de France at the Paris Olympics closing ceremony. For 'Douce France' he takes two cycles usually accompanied by orchestra and transfers them to the intimacy of the recital ... Pianist Carrie-Ann Matheson's judicious transcriptions facilitate fresh perspectives ... After the intense emotions of the two cycles and a beautifully sung selection of Duparc, Bernheim effortlessly makes the transition to the concluding triptych of putatively lighter songs [Kosma's 'Les feuilles mortes', Trenet's 'Douce France' and Brel's 'Quand on n'a que l'amour] ... builds magnificently from descrete confidences to impassioned declarations to bring the house down on an impressive album".


Gramophone

2024 November

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Richard Bratby

2024 November

"Here's a very grown-up-pleasure: Benjamin Bernheim and Carrie-Ann Matheson have put together a recital of French-language songs that are not typically sung by tenors ... Those un-dying high-romantic preoccupations - nature, the sea, the flowering and fading of 'l'amour' - bind everything together, mapping a surprisingly convincing path from Berlioz to Jacques Brel ... Bernheim is a singer of immense refinement and tonal lustre ... There's no questioning the intelligence or commitment of Bernheim's readings ... Or the sensitive, endlessly responsive piano-playing from Matheson".