Musik / kirkemusik

Ice Land : the eternal music


Detaljer


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Indhold

Seneste udgave, musik (cd)

Ad genua(Carolyn Sampson, sopran, Choir of Clare College, Cambridge, The Dmitri Ensemble)

Anna Thorvaldsdóttir (f. 1977)

Heyr, himna smiður(Choir of Clare College, Cambridge)

Þorkell Sigurbjörnsson

Kvöldvers(Choir of Clare College, Cambridge)

Tryggvi M. Baldvinsson (f. 1965)

Ave Maria(Choir of Clare College, Cambridge)

Hjálmar H. Ragnarsson

Heyr þú oss himnum á(Choir of Clare College, Cambridge)

Anna Thorvaldsdóttir (f. 1977)

Magnificat, 2018(Choir of Clare College, Cambridge)

Sigurður Sævarsson (f. 1963)

Haustvísur til Máríu(Choir of Clare College, Cambridge)

Atli Heimir Sveinsson

Hjá lygnri móðu(Choir of Clare College, Cambridge)

Jón Ásgeirsson (f. 1928)

Afmorsvisa(Choir of Clare College, Cambridge)

Snorri Sigfús Birgisson

Elegi, opus 53(Choir of Clare College, Cambridge, The Dmitri Ensemble)

Jón Leifs

Requiem, 2016(solister: Carolyn Sampson, Hannah Dienes-Williams, Samuel Porteous, Dominic Wallis og Oscar Simms, Choir of Clare College, Cambridge)

Sigurður Sævarsson (f. 1963)

Fljótavík : for violin og strygeorkester(arr. Guy Button, Stephanie Gonley, violin, The Dmitri Ensemble)

Sigur Rós


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Anmeldelser (3)


Presto classical

d. 4. feb. 2022

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David Smith (musikanmelder)

d. 4. feb. 2022

"Recording of the week: Contemporary Northern European choral music has acquired a reputation for being, in a sense, the Northern Lights set to music - ethereal, shimmering, weightless - but Anna Þorvaldsdóttir's Ad genua is worlds away from such thoughts ... Jón Leifs' haunting Hinsta kveðja, written in memory of his mother, is a magnificent addition to the string orchestra canon, with tonal shifts reminiscent of late Vaughan Williams".


BBC music magazine

2022 May

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Jeremy Pound

2022 May

"An ethereal, escapist set of recordings from the Cambridge choir, bringing together Icelandic choral music from the last half-century. Sævarsson's Requiem forms the centrepiece - a hypnotic, reflective wonder".


The gramophone

2022 April

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Andrew Mellor

2022 April

"Graham Ross isn't the first musician to have got Iceland under his skin ... With his Cambridge choir and his own chamber orchestra, he brings us a programme 'bound together by the common relation its sound world bears to the timelessness of Iceland's topgraphy' ... But even after a rather disjointed listening experience, the residual feeling here is of a warm bath, the smoothed cadences and sugar coatings conceling the true experience of a country that, beyond the Blue Lagoon, is cold, brutal, fortitudinous and uses its timelessness to create distinctive and forward-looking art ... There's just a taste of it here on an album whose music runs the gamut of fine to mediocre - and which, despite its title, has precious little of Iceland's 'eternal music' on it".