Musik / operafilm

Mithridate


Detaljer


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Anmeldelser (5)


Presto classical

d. 12. maj 2017

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Katherine Cooper

d. 12. maj 2017

"It may not appeal if you're allergic to Regietheater, but to my mind Clément Hervieu-Léger's staging transforms the 14-year-old Mozart's opera seria into a gripping political drama rather than a mere showcase of virtuoso singing - though it is that too, with knockout performances from Michael Spyres in the fiendishly demanding title-role and countertenor Christophe Dumaux disturbing and compelling in equal measure as his Machiavellian eldest son".


Diapason

2017 juin

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Didier van Moere

2017 juin


BBC music magazine

2017 September

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Anthony Pryer

2017 September

"If any of the early operas by Mozart prove his genious beyond doubt then it is Mitridate ... This is a really good cast. Patricia Petibon's daunting but brilliant first aria as Aspasia, Al destin, is sung with panache and nonchalant control. Michael Spyres negotiates the great vocal leaps in the part of Mitridate very nicely ... As always with Emmanuelle Haïm the orchestral playing is rhythmically alert and goal-directed".


The gramophone

2017 July

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Richard Lawrence

2017 July

"Clément Hervieu-Léger gets vivid acting from his cast ... Musically, everything is first-rate. Michael Spyres negotiates the wide leaps of his entrance aria with ease. Patricia Petibon is accomplished in the coloratura and intense when she addresses the shades of Elysium ... Haïm's tempos are ideal and Le Concert d'Astrée play impeccably".


Fono Forum

2017 November

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Manuel Bruch

2017 November

"Hochspannend ist der energiegeladen und voll Temperament von Emmanuelle Haïm am Pult ... Am Pariser Théâtre des Champs-Élysées hatte man eine hervorragende Vokalistenschar aufgeboten. Patricia Petibon ist eine hochfahrend dramatische Aspasia ... Sabine Devieilhe singt mit kristallin funkelndem Sopran die Ismene".