"She [Namekawa] is joined by the impressive Cello Octet Amsterdam in a three-movement concert-style suite of Glass's soundtrack to Stephen Daldry's 2002 film The Hours, followed by the music written by the composer to accompany Tod Browning's classic 1931 film remake of Dracula ... Cello Octet Amsterdam project a rich yet intimate tone ... Namekawa's piano sits inside the sound - as a cog in the ensemble's wheel rather than an external mechanism driving it forward".