Musik / neoklassik

Symphonies 1 & 2 "Voïna"


Detaljer


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Indhold

Seneste udgave, musik (cd)

Song-Koï = Le fleuve rouge

Elsa Barraine

Symfoni nr. 1

Elsa Barraine

Symfoni nr. 2 ("Voïna")

Elsa Barraine

Les tziganes

Elsa Barraine


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Anmeldelser (5)


BBC music magazine

d. 12. maj 2026

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Rebecca Franks

d. 12. maj 2026

"Elsa Barraine (1910-99) might not yet be a familiar name to most, but after hearing this album, I'd wager that you'll remember her (...) Not only does the album include the two symphonies, but it opens with Le Fleuve rouge (Song-Koï) ... depicting the journey of the Sông Cái river ... a fascinating work: taut, sombre and inspiring, opening with a mysterious theme that ebbs and flows as the river travels from source to sea".


Presto music

d. 20. mar. 2026

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David Smith (musikanmelder)

d. 20. mar. 2026

"*Recording of the Week* It's hard to do justice in a few hundred words to someone who has been almost totally neglected since her death ... It's a strange feeling to encounter something that you didn't even know you were missing ... This is music that, while beautiful even at first hearing, richly repays repeated listening and immersing oneself in its unique style ".


MusicWeb international

d. 27. apr. 2026

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John Quinn (musikanmelder)

d. 27. apr. 2026

"Barraine is a composer whose music was unknown to me and I was curious to investigate (...) Throughout this programme, Cristian Măcelaru obtains committed and skilful playing from the Orchestre National de France; conductor and players are persuasive advocates for [her] music. (...) Barraine's music deserves to be better known. I found this disc was a very good introduction to her music".


The Classic Review

d. 2. mar. 2026

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David A. McConnell

d. 2. mar. 2026

"Barraine's music employs a tonal harmonic language that nevertheless freely incorporates dissonance. Her refined and sophisticated orchestration clearly reflects Dukas' influence. A penchant for angular melodic writing can yield to moments of achingly sweet lyricism ... her music inhabits the same sound world as Stravinsky and Poulenc, though she has her own distinct and impressive voice".


Gramophone

2026 April

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Andrew Farach-Colton

2026 April

"Her First Symphony, written 1931 ... begins with a slightly ominous Andante whose bleak mood is shattered by a Vivace rife with aggressive rhythmic energy. The slow movement ... is the emotional heart of the score, and CristianMăcelaru gives these Adagio outer sections with quasi-Brucknerian fervour ... The Orchestre National de France play with commitment and polish for Măcelaru, and Warner Classics' recording is warm".