"These musicians sound readied, able and willing to engage with Feldman's aesthetic, and that they might even be secretly enjoying the experience. That this performance is likely to be a winner becomes obvious from the outset ... And it needs to be, because Carolin Widmann ... can only do so convincingly if the opposing gestures are strong and clear ... Pomàrico keeps the structures arithmetically taut, which liberates the music - a mysterious, existential ritual".